Shy Boys
Bell House
Aug 3, 2018

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Being in a band is a sacred thing.

Being in a band in 2018 is a sacred thing.

Being from the Midwest is a sacred thing.

Being in a band that is from the Midwest in 2018...

Consider Shy Boys - DIY local champions of Kansas City, MO, who if you add it all up, are something sacred. Comprised of brothers Collin and Kyle Rausch and best friends Konnor Ervin, Kyle Little and Ross Brown, Shy Boys are the heartland’s answer to The Beach Boys had Alex Chilton been on guitar.

But if a harmony falls into a microphone in the middle of America does anyone really hear it? Some do. Take for instance Shy Boys’ 2014 self-titled debut on local Kansas City label, High Dive Records - I first came across this album while living in Los Angeles and catching wind of a band from my hometown that I was told could "actually sing," and after the first spin, through the muddy fidelity, man, could they actually sing.

Shy Boys’ history isn't too dissimilar from any other Midwestern band. Like the many Replacements or Husker Düs before them - they exist neither here nor there, but instead, somewhere anonymously in the middle. And though you may not find the same opportunity floating in the middle as one would Here or There, you are allotted a certain amount of time and space to grow both yourself and your craft into what you want it to be. Over the past four years, that is exactly what Shy Boys have done and that is what brings us here today.

The album’s title is taken from the band’s beloved headquarters - the old house on Bell Street in Kansas City where they lived together for the better part of 5 years.

“‘Lived’ is a loose term,” says lead songwriter Collin. “It was more like a bum den than anything else. There was a giant hole in the floor of the kitchen that had a piece of plywood over it. In the backyard, weeds got like 6 feet high in the summer. It was its own thriving biome. We lived in trash.”

Musically, Collin describes the songs on Bell House taking shape through “a group of guys trying to get through some sort of mutual identity crisis. The lifestyle became overwhelming and really seeped into the music.”

In the time since the release of ST, Collin saw himself falling in love and getting married, leaving the old house on Bell Street, and moving back into his mom’s house with his wife in a suburb of the city. It's here where the songs of Bell House were born. Being back under the same roof he had grown up in where there was “still writing on the walls from childhood," Rausch found himself reflective and looking out at his life as a whole.

Take closing track “Champion” for instance, a song Collin says is dedicated to his and Kyle’s mother. “It’s just a note saying that she took care of us when we were young, and now it’s time for us to be there and take care of her.”

The reflective spirit sprinkled throughout the album is also evident on lead single, “Take The Doggie,” a bouncy, guitar driven track centered around wanting to secretly rescue their neighbor’s dog from an abusive owner, or on album highlight “Evil Sin,” which tackles the memory of drummer/bassist Konnor Ervin getting robbed.

But through all of this, Rausch kept his passion in his band, if even for nothing more than to - in his own words - have an excuse to keep hanging out with his brother and best friends.

“I have to keep Shy Boys alive to have a regular excuse to hang out with them,” says Collin. “To keep the band alive, I have to write songs. To be able to travel with my buddies, there has to be a new record.”

There is an old term that's kicked around in country music called a "blood harmony" - in which two people in the same bloodline, usually siblings, harmonize with one another in real time. Perhaps that is Shy Boys’ magic touch, putting them just a notch above all the other angels out there in the indie rock choir, and it makes sense, though no longer practicing evangelicals, Collin and Kyle grew up singing besides their parents in their church choir, so their keen sense of harmony is nothing new to them, but instead a life practice devoted to the voice as an instrument.

The result is Bell House, and the result is beautiful. There is something sensitive to the touch about this album, which is perhaps another way of saying that, well - Shy Boys are indeed Shy Boys. I envision the band as a solid unit, with each moving part as an equal. There is a heavy sense of family in everything they do both, literally and figuratively. Bruce Springsteen's 1980 song “Highway Patrolman” always seems to come to mind;

"Yeah me and Franky out laughing and drinking,

Nothing feels better than blood on blood."

-Kevin Morby


  • 1
    Miracle Gro (1:18)
  • 2
    Take the Doggie (1:34)
  • 3
    Tragic Loss (2:10)
  • 4
    No Fun (2:29)
  • 5
    Evil Sin (2:34)
  • 6
    Basement (1:32)
  • 7
    Something Sweet (2:02)
  • 8
    Bell House (3:45)
  • 9
    Disconnect (1:52)
  • 10
    Champion (3:07)


"Preaching sounds of joy, Shy Boys have a unique, harmonious charm on their second album, Bell House. They aren't afraid to belt out a hard-hitting verse, giving us tender, heartfelt anthems."


"Shy Boys’ indie rock tale of an unloved mutt will warm your cold heart.”

Pitchfork on "Take the Doggie"

""Evil Sin" makes nice use of this harmony, as a layered, a cappella choir piece transitions to bright, jangly pop.”


"Sleeker production allows Shy Boys to showcase their sunny falsettos, while creating a peculiar time warp: Their new music feels refreshing and nostalgic at once."


"The guitar chords shake and reverberate with an unmistakable playfulness, buoyed by lead vocalist Collin Rausch’s floating, mellifluous melody. Clocking in at just around two-minutes, “Something Sweet” might just the be the decadent confection you need in the middle of a long, laborious day yourself."


"Shy Boys’ second album, Bell House, is as multilayered and technicolored as you’d expect from its album art, buoyed by five-part harmonies that play well with hand-clapped rhythms and new wave guitars."


"Bell House, however, reveals an uncommon combination of craft and charisma that should send Shy Boys on to bigger and better things."


"bright indie-pop filled with a capella harmonies, jangly lines, and earnest lyrics…"

Hype Machine

"Bell House beams with sunny moments."

Northern Transmissions

"Just about the best ode to man's best friend you'll ever hear."

The Grey Estates on “Take the Doggie"

"Bell House hooks you in from beginning to end, leaving a lasting impression one song after the next."


"Reflective songs infused with vocal harmonies as a bonafide instrument, the songs found on Bell House are a little weird and a lot wonderful."

NO RECESS Magazine
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  • Take the Doggie (1:37)
  • Evil Sin (3:06)
    Kyle Little and Alec Nicholas